AUTHORS
Alcott,
Louisa May
Alighieri,
Dante
Andersen,
Hans Christian
Austen,
Jane
Balzac,
Honore de
Barrie,
James M.
Bierce,
Ambrose
Blake,
William
Bronte,
Emily
Bronte,
Charlotte
Bronte,
Anne
Bulfinch,
Thomas
Burnett,
Francis Hodgson
Burroughs,
Edgar Rice
Byron,
Lord George Gordon
Carroll,
Lewis
Cervantes,
Miguel de
Chaucer,
Geoffrey
Chekhov,
Anton
Chesterton,
Gilbert Keith
Christie,
Agatha
Coleridge,
Samuel Taylor
Conrad,
Joseph
Cooper,
James Fenimore
Crane,
Stephen
Darwin,
Charles
Defoe,
Daniel
Dickens,
Charles
Dickinson,
Emily
Donne,
John
Dostoevsky,
Fyodor
Douglass,
Frederick
Doyle,
Arthur Conan
Dumas,
Alexandre
Eliot,
George
Emerson,
Ralph Waldo
Fitzgerald,
F. Scott
Forster,
E.M.
Frost,
Robert
Grahame,
Kenneth
Hardy,
Thomas
Hawthorne,
Nathaniel
Henry,
O
Hesse,
Hermann
Homer
Hugo,
Victor
Huxley,
Aldous
Irving,
Washington
James,
Henry
Joyce,
James
Keats,
John
Kipling,
Rudyard
Lamb,
Charles
Lawrence,
D.H.
Leroux,
Gaston
London,
Jack
Longfellow,
Henry Wadsworth
Machiavelli,
Niccolo
Maupassant,
Guy de
Melville,
Herman
Milton,
John
Montgomery,
Lucy Maud
More,
Thomas
Orwell,
George
Poe,
Edgar Allan
Scott,
Sir Walter
Shakespeare,
William
Shaw,
George Bernard
Shelley,
Mary Wollstonecraft
Shelley,
Percy Bysshe
Sinclair,
Upton
Smith,
Adam
Sophocles
Stevenson,
Robert Louis
Stoker,
Bram
Stowe,
Harriet Beecher
Swift,
Jonathan
Tennyson,
Lord Alfred
Thoreau,
Henry David
Tolstoy,
Leo
Twain,
Mark
Tzu,
Sun
Verne,
Jules
Virgil
Voltaire,
Francois-Marie Arouet
Wells, Herbert George
Wharton,
Edith
Wilde,
Oscar
Woolf,
Virginia
Wordsworth,
William
Yeats,
William Butler
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Hans Christian Andersen Biography
Danish writer who combined folk
legends, moral teachings and humor with his own great imagination
and produced fairy tales, which were not meant merely for children
but for adults as well. Andersen used frequently colloquial style
that disguises the sophistication of his tales. Before achieving
success as a playwright and novelist, Andersen was trained as
singer and actor. Many of Andersen's fairy tales depict characters
who gain happiness in life after suffering and conflicts. 'The
Ugly Duckling' is Andersen's most confessional work.
Hans Christian Andersen was born in the slums of Odense. His
father was a shoemaker and literate. His mother, who worked as
washerwoman, was uneducated and superstitious, but opened for his
son the world of folklore. Andersen's half-sister worked as a
prostitute for a time. Andersen received little education, and as
a child he was highly emotional, suffering all kinds of fears and
humiliations because of his tallness and effeminate interests.
Andersen's hysterical attacks of cramps were falsely diagnosed as
epileptic fits. Encouraged by his mother he composed his own fairy
tales and arrange puppet theatre shows.
In 1816 his father died and Andersen was forced to go to work. He
was for a short time apprenticed to a weaver and tailor, and he
also worked at a tobacco factory. Once his trousers were pulled
down when other workers suspected that he was a girl. At the age
of 14 Andersen moved to Copenhagen to start a career as a singer,
dancer or an actor - he had a beautiful soprano voice. The
following three years were full of hardships although he found
supporters who paved his way to the theatre. Andersen succeeded in
becoming associated with the Royal Theater, but he had to leave it
when his voice began to change. When he was casually referred as a
poet it changed his plans: "It went through me, body and
soul, and tears filled my eyes. I knew that, from this very
moment, my mind was awake to writing and poetry." He then
began to write plays, all of which were rejected.
In 1822 Jonas Collin, one of the directors of the Royal Theatre
and an influential government official, gave Andersen a grant to
enter the grammar school at Slagelse. He lived in the home of the
school headmaster Meisling, who was annoyed at the oversensitive
student and tried to harden his character. Other pupils were much
younger, 11-year-olds, among whom six years older Andersen was
definitely overgrown.
Collin arranged in 1827 a private tuition for Andersen. He gained
admission to Copenhagen University, where he completed his
education. In 1828 Andersen wrote a travel sketch, FODREJSE FRA
HOLMENS KANAL TIL ØSTPYNTEN AF AMAGER, a fantastic tale in the
style of the German Romantic writer E.T.A. Hoffmann. Jacob and
Wilhelm Grimm's Children's and Household Tales had appeared
between 1812 and 1815, but they were based on original folktales.
Andersen's poem 'The Dying Child', was published in a Copenhagen
journal and the Royal Theatre produced in 1829 his musical drama.
PHANTASIER OG SKISSER, a collection of poems, was born when
Andersen fell in love with Riborg Voight, who was engaged. Edvard,
Jonas Collin's son, was for Andersen another object of unfulfilled
dreams.
In succeeding years he also wrote impressionistic prose
arabesques, plays, and novels. From 1831 onwards he travelled
widely in Europe, and remained a passionate traveller all his
life. A visit to Germany in 1831 inspired the first of his many
travel sketches. He later wrote sketches about Sweden, Spain,
Italy, Portugal, and the Middle East. During his journeys Andersen
met in Paris among others Victor Hugo, Heinrich Heine, Balzac and
Alexandre Dumas. In London he met Charles Dickens in 1847, to whom
Andersen dedicated A Poet's Day Dreams (1853). In Rome he met the
young writer Björnson.
As a novelist Andersen made his breakthrough with The
Improvisatore (1835), using Italy as the setting. The story was
autobiographical and depicted a poor boy's integration into
society, an Ugly Duckling theme of self-discovery in which
Andersen returned in several of his works. The book gained
international success and during his life it remained the most
widely read of all his works. E.B. Browning wrote warmly to her
future husband of the novel and her last poem was written for
Andersen in 1861, shortly before her death.
However, Andersen's fame rests on his Fairy Tales and Stories,
written between 1835 and 1872. The third volume of his tales,
published in 1837, ontained 'The Little Mermaid' and 'The
Emperor's New Clothes'. Among Andersen's other best known fairy
tales are 'Little Ugly Duckling', 'The Tinderbox,' 'Little Claus
and Big Claus', 'Princess and the Pea', 'The Snow Queen', 'The
Nightingale,' and 'The Steadfast Tin Soldier'.
In his fairy tale collections Andersen broke new ground in both
style and content, and employed the idioms and constructions of
spoken language in a way that was new in Danish writing. When
fairy tales at his time were didactic, he brought into them
ambiguity. His identification with the unfortunate and outcast
made his tales very compelling. Some of Andersen's tales revealed
an optimistic belief in the triumph of the good, among them 'The
Snow Queen' and 'Little Ugly Duckling', and some ended unhappily,
like 'The Little Match Girl.' In 'The Little Mermaid' the author
expressed a longing for ordinary life - he never had such.
"She knew this was the last evening she would ever see him
for whom she had forsaken her kindred and her home, given up her
lovely voice, and daily suffered unending torment - and he had no
idea of it. This was the last night she would breathe the same air
as he, or look upon the deep sea and the starry blue sky; an
everlasting night without thoughts or dreams waited her, for she
had no soul and could not gain one." (trans. L.W. Kingsland)
Andersen's tales were translated throughout Europe, with four
editions appearing in the UK in 1846 alone. His works influenced
among others Charles Dickens ('A Christmas Carol in Prose,' 'The
Chimes', 'The Cricket on the Hearth', 'The Haunted Man and the
Ghost's Bargain'), Willam Thackeray and Oscar Wilde ('The Happy
Prince', 'The Nightingale and the Rose', 'The Fisherman and His
Soul'), C.S. Lewis, Isak Dinesen, P.O. Enquist, whose play,
Rainsnakes, was about Andersen, Cees Noteboom, and a number of
other writers.
Between the years 1840 and 1857 Andersen made journeys throughout
Europa, Asia Minor, and Africa, recording his impressions and
adventures in a number of travel books. He wrote and rewrote his
memoirs, The Fairy Tale of My Life, but the standard edition is
generally considered the 1855 edition. Andersen died in his home
in Rolighed on August 4, 1875. Edvard Collin and his wife were
later buried with Andersen. However, their family members moved
the Collins' bodies after some years to the family plot in another
cemetery.
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